Binaural audio clips2/17/2024 ![]() Maximum Input Sound Level: 105dB SPL (120 db when used with one of our battery modules), 1kHz at 1%.Open circuit sensitivity : -42dB (5.6 mv) re 1v at 1pa.Signal to noise ratio: 58dB, 1khz at 1pa.Note: If your recorder does not provide a bias voltage or if you want to feed your recorders line inputs to avoid overloading your recorder's mic pre-amplifier, you can use one of our Battery Modules (check out our Battery-Module Section).īattery Modules will power the microphones with optimum power ( 9 volts D.C ), increase dynamic range and enable the mics to handle higher (SPL) sound pressure levels ( loud sounds ) without distortion. (also known as plug in power) at the microphone input jack.Įxcellent for the following recorders but not limited to: Edirol R9, Kodak Zi8 HD pocket video camera, Olympus DS-40, Olympus LS-10, Tascam DR-01, Tascam DR-03, Tascam DR-05, Tascam DR-07, Yamaha CX, Zoom H1, Zoom H2 and Zoom H4N. They can be easily plugged into any Minidisc, Dat or analog recorder that supplies a bias voltage of between 1.5 to 10 volts D.C. These microphones have a very naturally crisp sound, providing deep bass, smooth mid-range and clean high-range with a frequency response of typically +/-2dB. Six feet of high quality shielded microphone cable exits the rear of each capsule and are terminated into a gold plated 1/8" ( 3.5 mm) stereo plug.Each microphone capsule comes with a "Shure" premium holding clip which is removable and 360 degree rotational that can be used to attach the microphones to any convenient mounting surface. Miniature in size each microphone element is mounted into there own durable brass capsules ( approx. Our (MM-BSM-9) is hand-made with high quality products to ensure long life and excellent recordings! These omni- directional microphones are smaller than an eraser head of a pencil. I still prefer listening on loudspeakers, although headphones are handy for late night listening when you don't want to disturb others. It isn't so great on headphones, but these old Sennheissers are just as wonderful as I remembered them to be, only ever bettered by a pair of Stax Electrostatics I had later on , Īnyway, I don't have any binaural or ambisonic recordings to hand, but I do have Paula Abdul's album Spellbound, which was recorded in Q-Sound, which through phase shifting, gives an amazing surround effect just using a stereo pair of loudspeakers not sure why it never caught on. I think the BBC Binaural recordings were made in collaboration with Professor Peter Felgett of Reading University, professor of cybernetics, who pioneered Ambisonic recordings, used by the BBC and the Calrec Soundfield microphone ( a tetrahedral array ) I used to correspond with him back in the 1970s and he was a very approachable guy. I remember that Sennheiser made some promotional records that were recorded in Binaural sound, which gave a 3D surround type effect I possibly have somewhere a cassette tape recorded off air from a BBC broadcast, made in Binaural, about the Battle of Britain, and it was truly amazing. I used these a lot for nighttime listening, and they are still great. I was over visiting my mum for Christmas whilst upstairs I was in my old bedroom and came across my old Sennheisser HD 424 headphones.
0 Comments
Leave a Reply.AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |